Artists, mothers, scientists and makers included in this exhibition testify to the vital role that both Indigenous and newcomer women have held, and continue to hold, in Northern communities. Women’s voices and visions provide rich ground for imagining a future guided by principles of gender equity, sustainability and strength.
Through her project CircumSolar, Migration 1, artist and designer Rebeca Mendez looks to explore themes critical to our time, such as migration, climate change and consumption. Through the Arctic tern’s relationship to the Arctic and Antarctic, we can examine changing landscapes, as well ideas of safety and refuge.
Temporary installations throughout Anchorage, posing questions about and connecting us to the natural world. Shelters are located on the Anchorage Museum lawn, the 5th Avenue parking garage roof, SEED Lab parking lot, Chanstnu Muldoon Park, The Gardens at Bragaw, and Kiwanis Fish Creek Park through November and feature images by multiple artists examining the Northern landscape. The installations will be in place through November 2020.
Can design help combat homelessness? With evictions a serious issue nationally and extreme weather events displacing thousands, houselessness is one of society’s biggest challenges. Through the project Houseless, the Anchorage Museum invites visitors to consider ways design can contribute to solutions.
Providing context for the PBS Kids series Molly of Denali, the first nationally distributed children’s TV series in the U.S. featuring an Alaska Native lead character, this exhibition presents brief historical overview of how Indigenous people have been represented in media throughout the 20th century.
All-Alaska Biennial features contemporary work by Alaska artists. This juried exhibition is a continuation of the museum’s All-Alaska Juried and Earth, Fire & Fibre exhibitions, which began more than 30 years ago to encourage creation of new works in all media by Alaska artists. Guest juror Candice Hopkins is a citizen of Carcross/Tagish First Nation in Yukon, Canada, and is an independent curator and writer based in Albuquerque, New Mexico.
Kristy Summers, Descend (detail)
The Unsettled exhibition includes 200 artworks by 80 artists living and/or working in a super-region we call the Greater West, a geographic area stretching from Alaska to Patagonia and from Australia to the American West. Works included span 2,000 years, ranging from Pre-Columbian to modern and contemporary art.
Camouflage: In Plain Sight expands beyond the familiar associations of camouflage to explore how we work to be seen and unseen. Through the lenses of natural history, military history, art, design, technology, fashion and popular culture, Camouflage highlights the contrast between the functional and cultural.
This multimedia installation and two-month performance by Anchorage-based Iñupiaq artist Allison Warden takes the form of an Iñupiat ceremonial qargi. Warden’s version is a futuristic recreation of a ceremonial house, where she allows her audience to gently explore these spaces in a contemporary context.
Interest in the Arctic has preoccupied explorers for hundreds of years, and that fascination with the North continues today. View From Up Here: The Arctic at the Center of the World is an international contemporary art exhibition that highlights contemporary investigations into the Arctic – through the perspective of artists.
Baseball has been an important part of community life in Alaska for more than a century. Northern communities played the national pastime in spring, summer, fall and winter (ever see a baseball diamond on ice?). This exhibition of historic photographs, objects and memorabilia showcases the rich history of baseball in Anchorage and throughout Alaska.
Captain Cook came to Alaska to explore the continental coast in search of a long-sought Northwest Passage. Cook’s experience in the Arctic continues to resonate with the opening of a potential passage through the Arctic today, which, due to the effects of climate change and rapidly melting sea ice, is expected to become a navigable, commercially viable route by the 250th anniversary of Cook’s voyage in 2028.
Much of the oceans' trash is swirling in one of five gyres, which are large systems of rotating ocean currents. Similar accumulations of human debris exist in every ocean. The world shrinks as we all become connected through our litter, yet somehow we are still severed from the problem we've created. Garbage is killing the very life that depends on the ocean as a source of food and habitat. Now, in one of the most breathtaking places on the planet, a unique scientific expedition and art exhibition brings the problem into perspective.