A pivotal art form of the last 100 years, film is a powerful medium for telling stories of people and place. The Northern Narratives gallery is transformed into four black box-style theaters for viewing films, which change periodically.

NOW SHOWING

Amanda Strong/Spotted Fawn Productions
Feb. 7 through Sept. 6, 2020

Amanda Strong is an Indigenous (Michif) media artist and stop-motion director currently working as a guest on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and sə̓lílwətaʔɬ (Tsleil-Waututh). Strong is the owner and director of Spotted Fawn Productions, a stop-motion animation studio based in Vancouver, BC. With a cross-discipline focus, common themes in her work include the reclamation of Indigenous histories, lineage, language and culture.

Films on view include:

Biidaaban (The Dawn Comes)
Accompanied by 10,000-year-old shapeshifter and friend known as Sabe, Biidaaban sets out on a mission to reclaim the ceremonial harvesting of sap from maple trees in an unwelcoming suburban neighborhood of Ontario, Canada. Biidaaban can see traces of time, people, creatures and land. Ancestors and animals such as Ghost Caribou and Ghost Wolf are embedded within the landscape, but only Biidaaban can see them. These visuals reverberate throughout the work to draw from the past, but what we see is steadfast in the present.

Directed and produced by Amanda Strong, 2017
Stop-motion animation
Funded by Canada Council for the Arts, Creative BC, BC Arts Council, National Film Board of Canada, Technicolor, Grunt Gallery, Pacific Backlot, CBC Arts and Color Sound Lab

Flood
Spider Woman and Thunderbird act as vessels, composing and carrying the story of an Indigenous youth named Thunder as she navigates her way through a colonial flood. Spider Woman battles against an old Ghost Judge, who frenetically writes history from the side of oppression and displacement. The Ghost Judge fills the entire world with his writings and law.

Directed by Amanda Strong; produced by Amanda Strong and Dusty Hagerud, 2017
Shadow puppet and stop-motion animation Funded by CBC Arts Original Series and National Film Board of Canada

How To Steal A Canoe
This film features the story of a young Nishnaabeg woman and an elder Nishnaabeg man rescuing a canoe from a museum and returning it to the lake with which it was meant to be. Witness the act of stealing back the precious parts of us that were always ours in the first place as Indigenous people.

Directed and produced by Amanda Strong, 2016
Spoken lyrics recorded by Nishnaabeg poet Leanne Betasamosake Simpson
Original score composed by Cree cellist Cris Derksen
Stop-motion animation Funded by Aboriginal Arts Program at the Ontario Arts Council

Four Faces of the Moon
Follow the animated journey of an Indigenous photographer as she travels through time and witnesses moments in her family's history that strengthen her connection to her Métis, Cree and Anishinaabe ancestors. A personal story told in four chapters through the eyes of director and writer Amanda Strong, the oral and written histories reveal the story. Witness the impact and legacy of the railways, the slaughter of the buffalo and colonial land policies. The film contains no English language, relying on sound, image and Indigenous voices to tell the story.

Directed by Amanda Strong and produced by Amanda Strong and Bracken Hanuse Corlett, 2016
Stop-motion animation
Funded by CBC Docs, Canada Council for the Arts, National Film Board of Canada, Telus, Ontario Arts Council, British Columbia Arts Council, Grunt Gallery, Creative BC, Craft Cinema, Output Media, Boldly, and Color Sound Lab

Mia’
Mia’ struggles to return home as she traverses through polluted waters and skies, witnessing various forms of industrial violence and imprint that have occurred upon the land. This hybrid documentary using animation and sound as a vehicle to tell the story of transformation and re-connection and presenting Indigenous oral traditions as truth—not myth or legend.

Directed and produced by Amanda Strong and Bracken Hanuse Corlett, 2015
Stop-motion animation Funded by National Screen Institute and NFB

Circumpolar Cinema is presented with support from JL Properties.